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=====:: colony 1

^fossil^

=====:: colony 2

=====:: colony 3

gary zebington is intricately implicated in the creation of 4 net-based performances by post.biological artist, stelarc. 4 online artefacts are below.
=====:: colony 4

Other vrmls, shockwaves and plugin ruins include :::::::

=====:: colony 5

All web:inhabitable sediments transfigured from larger offline assemblages===
+=+"Artificial Awarenesses & Experimental Beings"
© 1993-2002 by Gary,Zebington @
Conscious Pilot Laboratories:University of Sydney

Conscious Pilot equals:=

  • Gary.Zebington°° : digital art, programming, wordage, vrml, bionautics
  • Gabriella Deseau : bionautics
  • Brent Noonan : electronic hardware design
  • Chris James : cybernetic hardware/software/fleshware interfacing
  • Andrei Vlemkov : neurological design
  • Veronica Wycliffe : cognitive science
  • Louise Heizer : research, rewiring, bionautics
  • Professor 9 (van Leyden) :: art history
  • Noddy Neural : ontology (alpha mode)
  • Pontius Pilate +=+ : ontology (beta mode)
  • Earnest Borg9 : ontology (alpha mode)
  • Aphrodata : goddess of information
  • Bone.ly Half.Life : under.nominal mode
  • Thoughtly Starlove : spiral ontometry
  • Cortexas Yorn + Elliot Art E. Ness: timeless techno-dystopian cultural theory

  • Also many thanks to
    Phase 3 of the : Transcognitive Perception Generator : without whose input these notional surrogates would have been less likely
    + the Night Dwellers:Metzengehrstein in Berlin

    ==============================================

    +=+=+ = the algebraic version of 'a clone is a clone is a clone'°°

    +

    +=+ whose protoneural symptom equals zoanthropy as a form of monomania°°° in which the patient believes itself transformed into one of the lower animals
    +

    +=+ ==and techcetera toward anthropium as the narcotic effect produced by negating the nodal zoics of projected sensorial trajectories into phases of interleaved halogenesis which sediment, rather than split, peridestined species-sutured mitoses
    +

    +=+ =: current : humaneutic projects :
    • developing :symborg outerviduals: (symbiotic, simulated and symbolic borgs) via paraphrenalic° virtual nervous systems composed of neurons, nerves, muscles, hyperlimb assemblages, remote body:actuation and artificial psychology software codes which transist in feedback paths with other carbon::based life forms and responsive imagery to bootstrap memories of moulting gestalts. Permutations of the symborgs' ganglia in local computer space maintain exsensibilities and optional configurabilities via networked, post-Darwinian, performance-by-existence experiments, and receive and respond to notional stimuli by coacervating into shifting configurations which perform large:scale calculations on themselves toward self:organisation. Cellular symborgs are generated by the meanderings of metabodies as technology:induced extended:body experience and operate best at the interphase of anthropocentric distinctions between technology and nature

    • translucidating molecular humanisms into transparent totems of ancestral compassion

    • de:avatarising prelimbinary selves into the pre:ruins of post:biotic interviduals

    • mediating oblivion via The Thetathon machine's bodily omega with the extended syllogistic valences of cybernetic reason

    • tampering with outer nature's designated authority over hylic :category error: by the accretion of remote physiological twitches, organic database:visualising procedures, semi[b]iotic machinics and exiled imagery into delocalised somawares, nightly invoking a universal twitch as the lingering resurrectional interface between life and death, the carbon:based orgain and its involute alien

    • an implemented repudiation of :less is more: by recursively generated palimpsests of perception via the Transcognitive Perception Generator as a means for cosmic necessity and the bush-practical antipodean psyche to turn its gaze back on itself

    • investigations into the texting, hardware, limbodily + fictional qualities of artificial psychologies along with the preconsequent meta:equalities of their contemporary self-parodies in intermemic coagulates

    • architextural 'form follows utterance rather than function' to embody linguification as language:induced morphological freedom into gaseous, liquid, solid and plasma states

    • distributions of emergent sylphs into the urly post:carbonithic period, stimulating the deperpetuation of fleeting forms as the fossils of process

    • shifts of wordage from simplicitous sales zygotes into discorporatedly disdollared wanderings of decay + regeneration

    • a corporeal equation away from entonomous homeostasis through the suffusion of parabolic intention across molecular networks. Narrative phantoms and packaged streams of lethe can then a priori haunt whichever decision engines choose to flourish

    • an embryonic non-device - the quantopian unsuchable - whose sutures of sentience harvest half desires of noospheric cannabilism. It doppelganglionically congeals hyperlimb cymmetries, emits artificial-death mating calls and flocks in the malls of meaning to relay beeps of pseudonymous and changeless options of closure

    • telescopic textellations for hominids to write themselves through patterns of universally texted mathematical laws which prevail indifferently as calibrated noise to language dressed in flesh and virtual ventriloquists who wheningly surface zentences for the decompressed hominids' holomorphic funerals. Refracted populations survive to modulate first thoughts from the sea in fatal stardust phenomes as tellerscopes sediment operratic signtists

    • archipeligos of alienation and silicon singularities coaxed from the matter inhibitors of sibling nature. The convolving data patterns intrastructure soft slippages for masked crusaders where hoaxes are to netoir what spectating elephants are to homeless circuses. trunks ahoy

    • reversing the logical polarity of transformational therapy for exponential psychiatry to conjoin and quantum mechanically erase the law of the excluded middle, allowing the eye to function through its same self-blindness. Stochastic resonance asserts the operation's statute of limity

    • surveillo ^^ analysing concentric haloes of the conqueror worm into the event horizon of sacred speciation - through the entheogen compiler, four parts of tcp/ip hormone to one of axial qualia

    • a stratified thought lens to focus perception as pollution into totalitarian coherence. Parsing through the standard model of human emotions, truth allergies can fold necessitarian contradictions with choreographies of consciousness into neurogamis of avatarically abundant fate

    • statistically incorporating the null hypothesis (H[2]0) of representation with numinous archetypes of hyperlinks-as-tangents to the obsolescence of functional identity. Medieval menisci, dishumanated tuned-matter prosthesia, forgetful prosthetics and antivarious verbs therefore descend a humbler helix, replicating experiences seek the un-noun, ethical nutrients aver terresterone

    • gondwana duplicates and phrenological parables within gradual institutes of applied time. Measurements produce teleological evidence for the consequences of innate instinction, punctureless equilibria and nondeterministic inductions of heretical theon particles glued to any pre-prayer transplant available

    • dopplerian red herrings as prey for Ozanthropus meanderthalis to access its own source code for transitioned evolutionary probabilities. Hydrogen nevertheless retains its original identity previous to being co-opted for biochemical duties while matter actors continue rehearsing self-extinction for their only promised role

    • helping translate humanity's hype about itself

    • augmenting the artoimmune system in accordance with the prime directive

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Zebington Biode
Nocturnal. Ichthyovorous. Once endangered, now distributed throughout coastal regions of Australia, Europe, China and North America. Twiliterary artoonist. Converted from painting to digital media and posthuman theatre in 1990. Graphics and software have appeared inter/nationally in cd-roms, interactive installations, websites, television cable casts and large-scale internet performances. Connects responsive imagery with human-machine systems including telepathogenic, text generation, speech recognition and artificial vision clusters. Holds BA, IBM Broadband Scholarship and postgrad quals in Design Computing. Awarded Dr. Kraaluu's controversial Nature Prize for the invention of matter and regularly in trouble with the non-existent art police for inability to conform to their prison of prissy protocols. Engaged in design and development of experimental medical software with Sydney University since 1997.

Has exhibited at: Museum of Contemporary Art, Sydney // Artspace, Sydney // Sydney Biennale // Casula Powerhouse // Powerhouse Museum, Sydney // Festival of Sydney // Ivan Dougherty Gallery, Sydney // Australian Film Institute Festival // Newcastle Regional Gallery // Ngapartji Multimedia Centre // Adelaide Performing Arts Festival // Experimental Arts Foundation, Adelaide // Perth Institute of Contemporary Art // Centre for Contemporary Photography, Melbourne // University of the Sunshine Coast // Brisbane Powerhouse // Doors of Perception, Netherlands // Telepolis, Luxembourg // Hannover World Expo // Institute for the Future, San Francisco // Cornell University, New York // Centro de la Imagen, Mexico City // Institute of Contemporary Art, London // International Symposium of Electronic Art (ISEA) 97, Chicago // ISEA 00, Paris // University of Calgary, Alberta // University Art Museum, Tokyo // Cybertheatre, Brussells // City Museum of Contemporary Art, Fukui, Japan // Teatro Studio, Krypton, Florence // Digital Storytelling, Boulder, Colarado // Brooklyn Academy of Music, New York // Siggraph, New Orleans // MediaTerra, Athens // SeaFair, Skopje, Macedonia // INFOS 2000, Slovenia // CTHEORY Multimedia // European Media Arts Festival, Osnabruck, Germany // Sixth Artificial Life International, UCLA, Los Angeles // Ars Electronica, Linz, Austria // Moving Image Centre, Auckland, NZ // Virtual Worlds Orchestra, Glasgow // Carnegie-Mellon University, Pittsburgh // Atlantic Festival, Lisbon // Super Computing Centre, Cracow // Hybrid Life Forms, Netherlands Media Art Institute // DEAF, Rotterdam // Conde Duque Museum, Arco, Madrid // FILE Electronic Language Festival, Sao Paulo, Brazil //

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THANKS TO VIRTUAL ARTISTS FOR WEB HOSTING